What made Nikoğos Ağa to do this was the fact that the Armenian church music used the Turkish mode and methods. Nikoğos Ağa attended the Mawlawihanes (zawiyas of the Mawlawi order), called the adhan upon the request of the Sultan Abdulaziz, taught Turkish music to many people and his works were listened with appreciation by many Turks. All of this shows that the difference in religion and nation did not constitute a barrier for the sharing of artistic values. Composer Bimen Shen fascinated the imams, those people who memorized the Qoran and darwishes with the devotional songs he sang at the church when he was only seven. The three marching songs composed by Bimen Shen, who came to Istanbul after being armenia casino convinced by Hajj Arif Bey, about the Çanakkale victory and the First World War are an expression of his fondness of the Turkish country and culture. The fact that Aleksan Ağa, Kemanî Tatyos and his student Oud players Arşak Çömlekçiyan, Levon Hancıyan, Sarı Onnik, Artaki Candan and many other Armenian composers are still listened to by the Turks with sincerity and respect is a proof that they have been adopted as their own. On the other hand, the shows of Güllü Agop and Magakyan, Mınakyan, who were pioneers of the Ottoman theatre, which was one of the important breakthroughs of the Tanzimat era, and many others were watched with interest. Kırmızı-beyazlı taraftarlar, 27 bin 532 kişi kapasiteli Sivas Sivas 4 Eylül Stadı’nın tribünlerini büyük oranda armenia doldurarak, önemli maçta takımlarına destek verdi.
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She would be washed in the courtyard or near the tandoor oven if there was no hammam. After the bath stage, they would help her wear her wedding dress while singing. Also the following customs were common between the two people: covering of the face of the bride (veil), throwing seeds and fruits on the groom when he entered the house (scattering), relatives of the bride blocking the convoy of the groom and asking for a tip, having a celebration at the house of the bride (henna night), and displaying the bloody sheets or the slip of the bride as a proof of her virginity (Matossian-Villa, 2006: 112-113, 123-124). Armenians have served in the spreading of some elements of the Turkish culture in the world. Armenian entrepreneurs had a big contribution in the transfer of Turkish coffee and coffee houses created in relation to that into Europe. For example, Armenians who wore Turkish clothes and turbans started to sell coffee in vending carts on the steets of Paris at the end of the 17th century. Ali haydar efendi atatürk.
It is certain that while Armenian entrepreneurs introduced coffee to Europe, they taught the fine points of it to them. Hundreds of musical works, which were written by Turkish poets and composed by Armenian artists, have reached the present day as classics. Composer Nikoğos Ağa took lessons from Ismail Dede Effendi and ihs student Dellalzade Ismail Effendi. What made Nikoğos Ağa to do this was the fact that the Armenian church music used the Turkish mode and methods. Nikoğos Ağa attended the Mawlawihanes (zawiyas of the Mawlawi order), called the adhan upon the request of the Sultan Abdulaziz, taught Turkish music to many people and his works were listened with appreciation by many Turks. All of this shows that the difference in religion and nation did not constitute a barrier for the sharing of artistic values. Composer Bimen Shen fascinated the imams, those people who memorized the Qoran and darwishes with the devotional songs he sang at the church when he was only seven. The three marching songs composed by Bimen Shen, who came to Istanbul after being convinced by Hajj Arif Bey, about the Çanakkale victory and the First World War are an expression of his fondness of the Turkish country and culture. The fact that Aleksan Ağa, Kemanî Tatyos and his student Oud players Arşak Çömlekçiyan, Levon Hancıyan, Sarı Onnik, Artaki Candan and many other Armenian composers are still listened to by the Turks with sincerity and respect is a proof that they have been adopted as their own.
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